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# Kristina Veit

Dance Performance Art Education

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- [Home](https://kristinaveit.com/) - Kristina Veit received her diploma as a classical and contemporary stage dancer from the University of Music and Performing Arts in Frankfurt. After 4 years of t
- [Upcoming](https://kristinaveit.com/upcoming/) - Upcoming 4. & 5.12.2025 PerformanceRE-VERB Pessoas Poetri in timeTitania Frankfurt Past 7.9.2025In C CommunityTheater mit Tanz und live MusikKunsthalle Schirn, Frankfurt 30. & 31.08.25Gänge ins GebückThielmann & AckermannJohanniskirche Walluf 17.05.25 WorkshopKreativ & organisiert Stiftung Kunst & NaturDottenfelder Hof, Bad Vilbel 4./5./9. und 13. Dezember 2024Demokratie, mon Amour, Theater, mon Amour (AT) Theater mit Tanz und live
- [Education](https://kristinaveit.com/education/) - Moove On! (2023-present) Dance activities for children in daycare What can be done when children feel the urge to move about and play? The needs of young children were particularly restricted during the pandemic. That’s why the Crespo Foundation developed MooveOn! in conjunction with Tanzplattform Rhein-Main as an activity for teaching dance in nurseries. After
- [Raummaschine „moving body-moving space”](https://kristinaveit.com/raummaschine/) - Raummaschine „moving body-moving space” Together with the freelance choreographer and dancer Kristina Veit, the research project “Mobile Structures” is dedicated to direct interaction with the space machine (an installation in the exhibition +ultra. gestaltung creates knowledge ). The aim of the collaboration is to experience the changing space physically and to relate it to spatial
- [Performances](https://kristinaveit.com/performances/) - In C – Community 2025 Blaues Gold 2023 Human Touch 2022 Reinhören 2021 Elements 2018 Makulatur 2017 Manifest für Freies Arbeiten 2016 One Minute In Your Eyes 2013 Sirius, mon alter ego 2013 Demokratie. Theater. Mon Amour 2025 und immer weiter zurück 2024 w:ort 2022 Space for adaptation 2020 a performance by nobody, going nowhere,
- [Demokratie. Theater. Mon Amour](https://kristinaveit.com/demokratie-theater-mon-amour/) - Demokratie. Theater. Mon Amour Documentary theater / dance / live music Featured are children, a young first-time voter, police officers, theater artists, a court reporter, a mayor, my Italian father-in-law, and other people with and without roots in Frankfurt. A snapshot of the city in 2024. Collaged by Regina Wenig. Acting, dancing,
- [In C - Community](https://kristinaveit.com/in-c-community/) - In C – Community Mit einer Parade und großen Aufführung von rund 100 Tänzer*innen zu Livemusik begeht die SCHIRN feierlich ihren temporären Umzug vom Römer nach Frankfurt-Bockenheim.Das partizipative Projekt „In C – Community“ der international renommierten Tanzcompagnie Sasha Waltz & Guests eröffnet den neuen Standort und wurde im Zusammenspiel von professionellen Tänzer*innen und Laiengruppen entwickelt.
- [About](https://kristinaveit.com/about/) - Performance Kristina Veit received her diploma as a classical and contemporary stage dancer from the University of Music and Performing Arts in Frankfurt. After 4 years of theater engagements in Linz and St Gallen, she began to work as a freelance with companies in Denmark, Spain and Uruguay from 2005 on. In 2009, Frankfurt became
- [und immer weiter zurück](https://kristinaveit.com/und-immer-weiter-zuruck/) - und immer weiter zurück Schreiben ist eine Bewegung. Sei es klassisch, mit einem Füllfederhalter in der Hand, der auf einen Bogen Papier drückt, oder mit Fingern über einer Tastatur. Schon immer galt, ohne Bewegung entsteht keine Schrift. Und umgekehrt, ohne Schriften und die darin enthaltene Sprengkraft der Ideen steuert eine Gesellschaft nur selten in neue
- [Gänge ins Gebück](https://kristinaveit.com/gange-ins-gebuck/) - Gänge ins Gebück Detailed information https://hecken-theater.de/ von und mit: Friederike Thielmann, Jacob Bussmann, Jules Buchholtz, Florian Ackermann (Das Heckenprojekt)mit: Kristina Veit, Johanna Milz, Alexander Rischer // Mit den Stimmen von und Dank an: Revierförster Maximilian Kaller, Heimatarchivar Herbert Ujma, Naturparksleiter Andreas Wennemann und Sänger*innen aus der Region // Karte: Jonathan Schmidt-Colinet // Dank an:
- [w:ort](https://kristinaveit.com/wort/) - w:ort Since 2014, the artists Kristina Veit (dance) and Alexandar Hadjiev (music) have been exploring the relationships between movement and sound in an interdisciplinary environment. For the awarding ofthe WORTMELDUNGEN Ulrike Crespo Literature Prize 2022, the artists are working with the award winner Volha Hapeyeva and creating a special performance experiment between movement, soundand language
- [Blaues Gold](https://kristinaveit.com/blaues-gold/) - Blaues Gold Inspired by Blattgold a choreografie from Dieter Heitkamp from 2003 Choreography: Kristina Veit & Victoria Söntgen Collaboration & Performance: 1st & 2nd semester BA Dance HfMDK Frankfurt
- [Human Touch](https://kristinaveit.com/human-touch/) - Human Touch. Text für eine Tänzerin A hairdressing salon becomes a stage, the audience is infront of the shop window – already small? the performance venue of the dancetheatre ‘Human Touch’ is unusual. Director Regina Wenig stages the topic contacts from interviews with various people people: Dance meets words and rhythm – touching, inspiring and
- [Legal Notice](https://kristinaveit.com/legal-notice/) - Legal Notice Information pursuant to Section 5 of the German Telemedia Act (TMG) Kristina VeitLorsbacherstrasse 1660326 Frankfurt am MainGermany Contact Telephone: +49 (0) 178 6729451 Email: artproductionkv@gmail.com Responsible for content pursuant to Section 55 Paragraph 2 of the German Interstate Broadcasting Treaty (RStV) Kristina VeitLorsbacherstrasse 1660326 Frankfurt am MainGermany Dispute resolution We are neither willing
- [Privacy Policy](https://kristinaveit.com/privacy-policy/) - Data Protection Statement Data protection at a glance General informationThe following information provides a simple overview of what happens to your personal data when you visit our website. Personal data is any data that can be used to identify you as a person. Detailed information about the topic of data protection is available in our
- [BREATH](https://kristinaveit.com/breath/) - BREATH Videoworks exhibited in Museum for Contemporary art Shanghai, MoCa Pavillion BREATH is a series of 3 video works created by German dance artist Kristina Veit in the framework of the Sino-German Platform. After exchanging prior works with Chinese visual artist Tang Dixin, Kristina Veit intended to further explore Dixins’ previous concept of embedding
- [Manifest für Freies Arbeiten](https://kristinaveit.com/manifest-fur-freies-arbeiten/) - Manifesto for independent work In the 1990‘s, the German Dance Platform was created as a forum to present work by independent choreographers. Like the dance scene itself, our understanding of “ independent ” artistic production has radically changed over the last twenty years. What does it mean to produce as a freelancer? What are
- [Wisdom of No Escape](https://kristinaveit.com/wisdom-of-no-escape/) - Wisdom of No Escape Although we are always already lost, there is something that urges us to tread the paths of the unknown anew every day, the space of unconsciousness, of nothingness. How do we deal with this? That affectionate admiration of fellow men, resonating therein, would not be coming from Frankfurt choreographer and dancer
- [Walpurgisnacht. Eine deutsche Höllenfahrt](https://kristinaveit.com/walpurgisnacht/) - Walpurgisnacht. Eine deutsche Höllenfahrt Welcome to hell! Anything is possible on Walpurgis Night. Harz Tourists of the Year 2018 mingle with the unfortunate ghosts of the Third Reich, which Hitler released with his headshot on April 30, 1945.Goethe’s theater characters Faust and Mephisto once again embark on the journey from the 18th century
- [UNTERTITEL. EINE TECHNO-OPER IN DREI AKTEN](https://kristinaveit.com/untertitel-eine-techno-oper-in-drei-akten/) - UNTERTITEL. EINE TECHNO-OPER IN DREI AKTEN Three rooms, three parts, three bodies. A song, no music. A techno-opera in which you don’t hear an organized beat, in which there is no singing. An opera that deals with the subtitles of today’s positions in dance. Together with three performers, the audience embarks on a search
- [SWEAT LIFE](https://kristinaveit.com/sweat-life/) - SWEAT LIFE The production SWEAT LIFE deals with performance as Sisyphus’ stone – physical and spiritual struggle without tangible results. An obvious feature of hard work in the field of performative art is the secretion of sweat. Extensive sweating becomes the promise of artistic devotion and expenditure: No sweat, no sweet What role does
- [Space for adaptation](https://kristinaveit.com/space-for-adaptation/) - Space for adaptation Research project in working spaces of visual artist Özcan Kaplan, Brigitte Halder, Maike Häusling Series of photos Supported by Hessische Kulturstiftung Previous Next
- [Sirius, mon alter ego](https://kristinaveit.com/sirius/) - Sirius, mon alter ego On the basis of curiosity, trust and respect for each other, the classically and contemporary trained Frankfurt dancer and choreographer Kristina Veit and the former breakdancer and Swiss choreographer Pierre-Yves Diacon set off on a theatrical journey together. This encounter between two movement vocabularies creates pleasant irritations and moments of crackling
- [Schlaflos in… Frankfurt](https://kristinaveit.com/schaflos-in-frankfurt/) - Schlaflos in… Frankfurt There are numerous causes for sleepless nights: stage fright, heartache, working an all-nighter, vampirism… A party night that only ends in the early morning hours, talking all night long with a new lover or good friends, a summer night at the North Cape, where the sun never sets. In her Late Night
- [Same Old Set Different Show](https://kristinaveit.com/same-old-set/) - Same Old Set Different Show Histories, topics, situations and phases – over and over again they reappear in slightly different order. Sometimes they take on a different appearance. For choreographer and dancer Antony Rizzi, this mechanism is deeply rooted in everyday life and historical developments and thus makes up the basis principle of every comfort
- [ROCKINSONG](https://kristinaveit.com/rockingsong/) - ROCKINSONG ›ROCKINSONG‹ is a lullaby for two bodies and an acoustic space. The duet developed by the Frankfurt-based director Ksenia Ravvina and the choreographer Kristina Veit deals with the state of falling asleep. A rhythmic, spatial body emerges before the eyes of the audience that lets one forget the sources of movement and sound. Incessant
- [Reinhören](https://kristinaveit.com/reinhoren/) - Reinhören (online) How are movement, body and the creation of sound connected? How can musicians, a dancer and theatre-makers improvise together? Where does the boundary between expertise and dilettantism lie? In a joint residency, a heterogeneous ensemble with different skills and training explores rhythms and pulses for their potential to unite and connect us.
- [Présence(1961)](https://kristinaveit.com/presence/) - Présence(1961) Bernd Alois Zimmermann »Presence« (1961) Ballet blanc en cinq scenes pour violon, cello and piano In 2013, members of ID_Frankfurt were invited by the Ensemble Modern to develop a choreography for Bernd Alois Zimmermann’s composition Présence, entitled ballet blanc, as part of the Cresc…Biennale für Moderne Musik Frankfurt Rhein Main festival. The
- [One week stand | Architectural Thinking Tools](https://kristinaveit.com/one-week-stand/) - One week stand | Architectural Thinking Tools The “One Week Stand” format is a research project to which the MichaelDouglas collective selected artists and experts from other disciplines for the period from only one week invites in. During this week the collective deals with instinctive creativity in the artistic creation process and explores the possibilities
- [One Minute In Your Eyes](https://kristinaveit.com/one-minute-in-your-eyes/) - One Minute In Your Eyes Video & Editing: Philip Bussmann Performance by Kristina Veit Presented as part of the Pixelmondo exhibition by Philip BussmannSupported by Cinedans, Amsterdam and the Ursula Blickle Foundation. Previous Next
- [Makulatur](https://kristinaveit.com/makulatur/) - Makulatur Ideas are discarded. Plans are canceled. Projects prove to be unfeasible. In Makulatur Frankfurt director Ksenia Ravvina and choreographer Kristina Veit focus on the artistically peripheral, the creative surplus, which normally lies outside our line of vision. For this, they called upon their artistic colleagues to allow them to use ideas and concepts, which
- [GENERALPAUSE](https://kristinaveit.com/generalpause/) - GENERALPAUSE What happens when everything pauses? People and things, together? Who or what then takes on the leading role? A thicket of metal populates the stage in “Generalpause” (General Intermission), together with an ensemble of traditional instruments and their boldly modified relatives, played by bodies and motors. In the midst of this landscape, sounds and
- [Elements](https://kristinaveit.com/elements/) - Elements PerFORM(d)ance The director Ksenia Ravvina(Russia) and the choreographer Kristina Veit(Germany) collaborate for 5 days with the musicians Elif Dimli(Turkey), Ivailo Danailov(Bulgaria) and the bulgarian dance collective ATOM Theater – Stefaniya Georgieva and Kalina Georgieva. 180° is the alternative for young artists who would like to escape established rules of their art and
- [Blickfeld](https://kristinaveit.com/blickfeld/) - Blickfeld Faces are permanently being produced and staged; they become symbols, brands. Thanks to smartphones, we gaze upon ourselves, face in hand at the end of an outstretched arm. As projection surfaces and figureheads, business cards and profiles, faces are in constant demand and under surveillance, are given, read, saved or lost. The face is
- [a performance by nobody](https://kristinaveit.com/a-performance-by-nobody/) - a performance by nobody, going nowhere, for no one in particular As a long-standing member of the Frankfurt dance scene, companion of William Forsythe and creator of stirring, whimsical performances, Tony Rizzi doesn’t really need introducing. His piece “a performance by nobody, going nowhere, for no one in particular” deeply touched the audience at its
- [Creating my own tomorrow](https://kristinaveit.com/creating-my-own-tomorrow/) - Creating my own tomorrow Success is fragile – no sooner has it materialised that it collapses in on itself again. People nevertheless never cease to strive for fame. Creating My Own Tomorrow explores the polarity of success and failure in artistic work. Fame, the desire for artistic success, reemerges over and over again in pop
- [Zoomroom](https://kristinaveit.com/zoomroom/) - Zoomroom An external, an internal, an entrance, an invocation of the unexpected. A performance, a process, a dramaturgy, individual actions interacting; the spectators as a part of the whole. Every interruption implicates an alteration. 1 room, countless rooms, one after the other, all together, developing one another. Projections and reflections fall in the process into

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