{"id":491,"date":"2022-05-08T15:45:37","date_gmt":"2022-05-08T15:45:37","guid":{"rendered":"http:\/\/kristinaveit.com\/?page_id=491"},"modified":"2022-07-04T11:21:31","modified_gmt":"2022-07-04T11:21:31","slug":"untertitel-eine-techno-oper-in-drei-akten","status":"publish","type":"page","link":"https:\/\/kristinaveit.com\/de\/untertitel-eine-techno-oper-in-drei-akten\/","title":{"rendered":"UNTERTITEL. EINE TECHNO-OPER IN DREI AKTEN"},"content":{"rendered":"
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UNTERTITEL. EINE TECHNO-OPER IN DREI AKTEN<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Drei R\u00e4ume, drei Teile, drei K\u00f6rper. Ein Lied, keine Musik. Eine Techno-Oper, in der man keinen organisierten Beat h\u00f6ren, in der nicht gesungen wird. Eine Oper, die sich mit den Untertiteln zu heutigen Positionen im Tanz besch\u00e4ftigt.<\/p>

\u00a0<\/p>

Gemeinsam mit drei Performer*innen begibt sich das Publikum auf eine Spurensuche nach dem Vergangenem im K\u00f6rper, der Fl\u00fcchtigkeit der Zeit und dem Verfallsdatum von K\u00f6rpern. Genres und Gestaltungsmittel greifen ineinander, um eine \u00dcbersetzung f\u00fcr den Zustand des Alterns und Veraltens zu finden.<\/p>

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Die achte Arbeit des K\u00fcnstlerinnenduos ravvina\/veit l\u00e4dt zu einer etwas anderen Entdeckungsreise von Oskar Schlemmers \u201eTriadischem Ballett\u201c und seiner raumgreifenden Kost\u00fcme ein und ist dabei nicht nur eine Hommage an die Tradition, sondern mehr noch der Wunsch, zu verstehen wo sich die Kunstszene und K\u00fcnstler*innen heute befinden.<\/p>

\u00a0<\/p>

Idee:<\/strong> ravvina\/veit | Regie:<\/strong> Ksenia Ravvina | Performance:<\/strong> Fr\u00e9d\u00e9ric De Carlo, Amancio Gonzalez, Kristina Veit | Kost\u00fcmleihgabe:<\/strong> CreativHaus Offenbach e.V. | Sound:<\/strong> Alexandar Hadjiev | Licht:<\/strong> Lutz Zimmermann | Produktion:<\/strong> Mareike Uhl<\/p>

\u00a0<\/p>

Geprobt und erarbeitet im Z, Zentrum f\u00fcr Proben und Forschung und im Atelier Frankfurt<\/strong><\/a>, gef\u00f6rdert durch das Kulturamt der Stadt Frankfurt am Main.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

UNTERTITEL. EINE TECHNO-OPER IN DREI AKTEN Three rooms, three parts, three bodies. A song, no music. A techno-opera in which you don’t hear an organized beat, in which there is no singing. An opera that deals with the subtitles of today’s positions in dance. \u00a0 Together with three performers, the audience embarks on a search […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-491","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/kristinaveit.com\/de\/wp-json\/wp\/v2\/pages\/491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kristinaveit.com\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kristinaveit.com\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kristinaveit.com\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kristinaveit.com\/de\/wp-json\/wp\/v2\/comments?post=491"}],"version-history":[{"count":10,"href":"https:\/\/kristinaveit.com\/de\/wp-json\/wp\/v2\/pages\/491\/revisions"}],"predecessor-version":[{"id":1248,"href":"https:\/\/kristinaveit.com\/de\/wp-json\/wp\/v2\/pages\/491\/revisions\/1248"}],"wp:attachment":[{"href":"https:\/\/kristinaveit.com\/de\/wp-json\/wp\/v2\/media?parent=491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}